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Here are all the paintings of Roger Van Der Weyden 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 33430 |
 |
Adoration of the Magi |
mk86
c.1455
Tempera on wood
138x153cm
Munich,Bayerische Staatsgemaldesammlungen,
Alte Pinakothek
|
| 90995 |
 |
Crucifixion |
Oil on oak panel, 77 x 47 cm Staatliche Museen, Berlin
Date 1440s
cyf |
| 33369 |
 |
Crucifixion in a Church |
mk86
c.1445
Tempera on wood
200x97cm
|
| 30410 |
 |
Deposition |
mk68
Oil on oak
Madird
|
| 33432 |
 |
Entombment |
mk86
c.1450
Oil on panel
110x96cm
Florence,Galleria degli Uffizi
|
| 33428 |
 |
Madonna with Four Saints |
mk86
c.1450
Tempera on wood
53x38cm
Frankfurt am Main,Stadelsches Kunstinstitut
|
| 33431 |
 |
Mary Magdalene |
mk86
c.1453
Oil on wood
41x34cm
Paris,Musee National du Louvre
|
| 88773 |
 |
Pieta |
1448(1448)
Medium Oil on panel
Dimensions 96 x 126.5 cm (37.8 x 49.8 in)
cyf |
| 26705 |
 |
Saint Luke Drawing the Virgin and Child |
mk52
c.1435
Oil on wood
137.5x110.8cm
Museum of Fine Arts,Boston
|
| 87062 |
 |
St Columba Altarpiece |
1455(1455)
Medium Oil on oak panel
cyf |
| 87301 |
 |
St Luke Drawing the Portrait of the Madonna |
1450(1450)
Medium Oil on oak panel
cyf |
| 32104 |
 |
The Annunciation |
mk78
c.1435
Oil on panel
86x92cm
|
| 39431 |
 |
The Beweinung |
mk148
Nikodemus and Josef of Arimatäa support the corpse |
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| Roger Van Der Weyden
|
| c.1399-1464
Rogier van der Weyden was the son of Henri de le Pasture, a cutler in Tournai, and Agn?s de Watreloz. His birthdate is estimated from the facts that he was stated to be 35 in April 1435 and 43 in September 1441. Before or in 1427 he married Elisabeth Goffaert (c. 1405-77), whose father was a prosperous shoemaker in Brussels. Rogier may have lived for a time in Brussels: his eldest child Cornelis (b 1427) was sometimes referred to as 'de Bruxella' but was not necessarily a native of Brussels. On 5 March 1427 'Rogelet de le Pasture, natif de Tournai' was apprenticed to the Tournai painter Robert Campin. This Rogelet duly completed his apprenticeship in 1431 and on 1 August 1432 became a master of the Tournai guild. Despite much debate, it would appear that Rogelet was Rogier van der Weyden, though it has also been argued that in 1427 Rogier was a married man well past the normal age of apprenticeship and that Rogelet must have been a second Tournai painter of the same name. JACQUES DARET, however, was in his twenties when in 1428 he was apprenticed to Campin, and other instances can be cited of married apprentices. The political situation at Tournai in 1427-8 was unusual, and the guild system was not functioning normally.
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